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Noen som har et godt tips på gode versjoner av denne. CD/ SACD eller Vinyl 
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Erich Kunzel + Cincinnati Pops Orchestra fra 1979. Med ekte kanoner. Vær forsiktig, har selv ødelagt noe utstyr med den. . Kun 1812.
. Kun 1812.
Istemmes. Det finnes muligens andre innspillinger som har større musikalske verdier, men Kunzel sin har en høy gøyfaktor. Dessuten synes jeg personlig selve fremførelsen er bra. Sørg bare for at du får den versjonen uten vokal. Den med vokal blir bare en fis i horisonten lydmessig. Begge versjoner er utgitt på Telarc, så vær obs.breuer skrev:Erich Kunzel + Cincinnati Pops Orchestra fra 1979. Med ekte kanoner. Vær forsiktig, har selv ødelagt noe utstyr med den.
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Takker! Skal ta en søk på Amazon og se om jeg finner den
Skal finne katalognummeret til deg. Må bare få med meg På Sporet på P2 først
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Genialt ;D Takk for hjelpen.Steinar_Lund skrev:Skal finne katalognummeret til deg. Må bare få med meg På Sporet på P2 først
The moment of truth :
Catalognummeret er CD-80640.
Det er mulig at den samme innspillingen er utgitt på flere katalognumre, så for sikkerhets skyld legger jeg ut litt mer om koblingen:
Litt opp ned riktignok, men lykke til
:Catalognummeret er CD-80640.
Det er mulig at den samme innspillingen er utgitt på flere katalognumre, så for sikkerhets skyld legger jeg ut litt mer om koblingen:
Litt opp ned riktignok, men lykke til
Vedlegg
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Supertramp
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Det finnes en annen med ekte kanoner/geværer brukt i innspillingen:
This disc caused quite a stir when first issued in the early 1960s. With a panoply of infantry in the Beethoven, and bells and cannon in the Tchaikovsky, Dorati goes for maximum impact: just what both pieces need when heard outside the concert hall or arena. Wellington's Victory has often been labelled Beethoven's worst major work--pointlessly if you consider it was written as a quick commission for a new line of mechanical instrument! Take it with a fair pinch of salt and enjoy. 1812 is a better work than many people, including Tchaikovsky, would give it credit for. Again, it's not profound, nor was it meant to be. It sounds fabulous in this latest transfer--40 years just melt away as you listen. The Minneapolis SO is not in the "super league" of US orchestras, but they rise to the occasion as Dorati encourages them to do. You also get a hard and fast Capriccio Italen, and two discussions on how the sessions for the main works were set up. As the results amply demonstrate, it's a slice of recording history to treasure. --Richard Whitehouse
This is the largest selling version of the 1812 Overture ever recorded. And why not? Even after 40 years, the canons still pack a punch. It's amazing how the Mercury engineers were able to do it back in the early days of stereo. Many an 1812 has sold strictly on the canon fire. Think Erich Kunzel on Telarc. Usually Tchaikovsky is not a Dorati specialty. In fact, I usually avoid him for Tchaikovsky, but in the 1812, the piece can take the rough edges. He's definitely not as smooth or refined as Morton Gould, Stokowski or Ormandy, but in a war piece, you don't need smooth. Which why this version works so well. It's filled with terrific dynamic climaxes and excitement. The sound is not as spacious as his remake for Decca, in fact, that is a better conducted performance, but it lacks the dramatic bells and cannons heard here. The Capriccio is another matter. Not the best in the catalog. There are certain moments that cry out for more legato phrasing and lightness, particularly with the folk dance movement, but it's not bad. It was recorded in 1955 in stereo! So the engineering is good, but is certainly not the last word in this work. Go with Kondrashin on RCA. The Beethoven work also benefits from Mercury artillery, so the musket fire sound impressive. This is not heavyweight Beethoven, so Dorati does fine. The cd also contains spoken segments by Deems Taylor that explain the recording process. Excellent liner notes and remastering. You can't go wrong with this one!
http://www.amazon.co.uk/Tchaikovsky...=sr_1_2?ie=UTF8&s=music&qid=1282492762&sr=1-2
Fra ca 50,- ..........
This disc caused quite a stir when first issued in the early 1960s. With a panoply of infantry in the Beethoven, and bells and cannon in the Tchaikovsky, Dorati goes for maximum impact: just what both pieces need when heard outside the concert hall or arena. Wellington's Victory has often been labelled Beethoven's worst major work--pointlessly if you consider it was written as a quick commission for a new line of mechanical instrument! Take it with a fair pinch of salt and enjoy. 1812 is a better work than many people, including Tchaikovsky, would give it credit for. Again, it's not profound, nor was it meant to be. It sounds fabulous in this latest transfer--40 years just melt away as you listen. The Minneapolis SO is not in the "super league" of US orchestras, but they rise to the occasion as Dorati encourages them to do. You also get a hard and fast Capriccio Italen, and two discussions on how the sessions for the main works were set up. As the results amply demonstrate, it's a slice of recording history to treasure. --Richard Whitehouse
This is the largest selling version of the 1812 Overture ever recorded. And why not? Even after 40 years, the canons still pack a punch. It's amazing how the Mercury engineers were able to do it back in the early days of stereo. Many an 1812 has sold strictly on the canon fire. Think Erich Kunzel on Telarc. Usually Tchaikovsky is not a Dorati specialty. In fact, I usually avoid him for Tchaikovsky, but in the 1812, the piece can take the rough edges. He's definitely not as smooth or refined as Morton Gould, Stokowski or Ormandy, but in a war piece, you don't need smooth. Which why this version works so well. It's filled with terrific dynamic climaxes and excitement. The sound is not as spacious as his remake for Decca, in fact, that is a better conducted performance, but it lacks the dramatic bells and cannons heard here. The Capriccio is another matter. Not the best in the catalog. There are certain moments that cry out for more legato phrasing and lightness, particularly with the folk dance movement, but it's not bad. It was recorded in 1955 in stereo! So the engineering is good, but is certainly not the last word in this work. Go with Kondrashin on RCA. The Beethoven work also benefits from Mercury artillery, so the musket fire sound impressive. This is not heavyweight Beethoven, so Dorati does fine. The cd also contains spoken segments by Deems Taylor that explain the recording process. Excellent liner notes and remastering. You can't go wrong with this one!
http://www.amazon.co.uk/Tchaikovsky...=sr_1_2?ie=UTF8&s=music&qid=1282492762&sr=1-2
Fra ca 50,- ..........
1812 Overture (Mercury Living Presence) på FLAC
Jeg ser at Dorati/Minneapolis på Mercury nå kan kjøpes som FLAC hos Deutche Gramphon.
Også enkeltspor, ser ut som man får 1812-overtyren i FLAC for 3 Euro.
http://www.deutschegrammophon.com/cat/single?PRODUCT_NR=4758508
Og ellers mye snadder på flac nå direkte fra DGG.
Jeg ser at Dorati/Minneapolis på Mercury nå kan kjøpes som FLAC hos Deutche Gramphon.
Også enkeltspor, ser ut som man får 1812-overtyren i FLAC for 3 Euro.
http://www.deutschegrammophon.com/cat/single?PRODUCT_NR=4758508
Og ellers mye snadder på flac nå direkte fra DGG.
Har denne på vinyl, i mono. Ordentlegrøsk i sjela. Elles er innspelingsteknikken forklara på baksida...Supertramp skrev:Det finnes en annen med ekte kanoner/geværer brukt i innspillingen:
This disc caused quite a stir when first issued in the early 1960s. With a panoply of infantry in the Beethoven, and bells and cannon in the Tchaikovsky, Dorati goes for maximum impact: just what both pieces need when heard outside the concert hall or arena. Wellington's Victory has often been labelled Beethoven's worst major work--pointlessly if you consider it was written as a quick commission for a new line of mechanical instrument! Take it with a fair pinch of salt and enjoy. 1812 is a better work than many people, including Tchaikovsky, would give it credit for. Again, it's not profound, nor was it meant to be. It sounds fabulous in this latest transfer--40 years just melt away as you listen. The Minneapolis SO is not in the "super league" of US orchestras, but they rise to the occasion as Dorati encourages them to do. You also get a hard and fast Capriccio Italen, and two discussions on how the sessions for the main works were set up. As the results amply demonstrate, it's a slice of recording history to treasure. --Richard Whitehouse
This is the largest selling version of the 1812 Overture ever recorded. And why not? Even after 40 years, the canons still pack a punch. It's amazing how the Mercury engineers were able to do it back in the early days of stereo. Many an 1812 has sold strictly on the canon fire. Think Erich Kunzel on Telarc. Usually Tchaikovsky is not a Dorati specialty. In fact, I usually avoid him for Tchaikovsky, but in the 1812, the piece can take the rough edges. He's definitely not as smooth or refined as Morton Gould, Stokowski or Ormandy, but in a war piece, you don't need smooth. Which why this version works so well. It's filled with terrific dynamic climaxes and excitement. The sound is not as spacious as his remake for Decca, in fact, that is a better conducted performance, but it lacks the dramatic bells and cannons heard here. The Capriccio is another matter. Not the best in the catalog. There are certain moments that cry out for more legato phrasing and lightness, particularly with the folk dance movement, but it's not bad. It was recorded in 1955 in stereo! So the engineering is good, but is certainly not the last word in this work. Go with Kondrashin on RCA. The Beethoven work also benefits from Mercury artillery, so the musket fire sound impressive. This is not heavyweight Beethoven, so Dorati does fine. The cd also contains spoken segments by Deems Taylor that explain the recording process. Excellent liner notes and remastering. You can't go wrong with this one!
http://www.amazon.co.uk/Tchaikovsky...=sr_1_2?ie=UTF8&s=music&qid=1282492762&sr=1-2
Fra ca 50,- ..........
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1812 Overture (Mercury Living Presence) på FLAC
EDIT!
Ordnet seg til slutt. Det gjelder å starte forfra med Pund som valuta.
Takker for den Jøgga, men maken til sirup av side å prøve å kjøpe noe i fra. Er nok IE optimalisert til de grader. Firefox og Safari ender i en uendelig loop. Du må velge Pund, for å handle utenom Europa, men da håper den ut og nullstiller alt du har i Basketen og går sånn i det uendelige. Synd!Jøgga skrev:
EDIT!
Ordnet seg til slutt. Det gjelder å starte forfra med Pund som valuta.
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Dritt og lort. Ikke nok med at hele prosessen er tungvint, så kommer den så langt etter den er nesten ferdig ned lastet:
Blir lenge til jeg handler noe mere derfra. Lenge leve CD sjappa
Blir lenge til jeg handler noe mere derfra. Lenge leve CD sjappa
Vedlegg
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Supertramp
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"1 month dowloading..."
Enten har du svært trege linjer eller så har DGG det....
Enten har du svært trege linjer eller så har DGG det....
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Stereo_Mono
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Du misforstår. Den gikk over til 1 mnd helt på slutten av nedlasting (under siste MB). Jeg har 18Mbit ned og 4Mbit opplasting.Supertramp skrev:
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Supertramp
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Ok, en liten bug der også altså (eller seeing - haha)digiman skrev:
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Stereo_Mono
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Ja! Er nok serveren deres som har knellet.
Trykket på stopp og startet på nytt, men nå står den på 1 month konstant.
Edit!
Det var Universal sin programvare som var bugie. Oppdatere den og nå laster den ok. Krysser fingrene at den fullfører nå
Trykket på stopp og startet på nytt, men nå står den på 1 month konstant.
Edit!
Det var Universal sin programvare som var bugie. Oppdatere den og nå laster den ok. Krysser fingrene at den fullfører nå
Huffda. Gikk den ferdig, eller ble det krasj?digiman skrev:
Jeg har kjøpt album tidligere, og kan ikke huske at det bød på spesielle problemer.
Ser ut som de har lagt om nedlastingen siden den gang.
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Supertramp
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I og med at du har betalt så regner jeg med at du kan prøve igjen en annen dag - eller forsøke med en aldri så liten reklamasjon: "please forward the last bits and bytes"digiman skrev:
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Stereo_Mono
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Hehe! Ja! Få reklamere på den siste «megen» om den ikke vil nå.Supertramp skrev:I og med at du har betalt så regner jeg med at du kan prøve igjen en annen dag - eller forsøke med en aldri så liten reklamasjon: "please forward the last bits and bytes"digiman skrev:
Gikk greit til slutt her nå. En liten oppdatering på programvaren skulle bare til
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Herlig skive Virkelig pent spilt av begge orkester.
Imponerende innspillingsteknikk med tanke på at det er snart 50 år gammelt også. Herlig dynamikk!
Virkelig pent spilt av begge orkester.Imponerende innspillingsteknikk med tanke på at det er snart 50 år gammelt også. Herlig dynamikk!