Analogue Productions skal re-utgi Prestige seriene sine, 25 mono og 25 stereo, men på 180g fra QRP ikke 200g som sist.
Hentet frem en av de få jeg har fra denne serien, nummer 603? (Bare de 250 første skulle vært nummererte?)
Er endel bra her for de som vil ha topp pressinger av disse, men vær klar over at de rimelige OJC utgivelsene også er bra om du kun vil ha musikken på lp.
Prestige Records is such a cool label, such a historically important label, that we couldn’t limit ourselves to just one way to bring to you our favorite titles from its catalog of classics. So, we’re bringing you two…
Prestige Done Two Ways
Some Want The Most Collectible Mono – Got You Covered
Others Want The Ultimate Audiophile Stereo – Ain’t Gonna Let You Down
"The Analogue Productions 25 volume, Mono Prestige set is an amazing achievement. Take it from a first pressing Prestige collector: these are some of the rarest and best Prestige releases ever issued. If you do find an original they could well cost hundreds or thousands of dollars each, and will most certainly not be in Near Mint condition.
"Kevin Gray has done a superb mastering job and the pressing quality is outstanding. I compared the Analogue Productions pressings to some of my original Prestige mono pressings and it’s close, with the edge going to Analogue Productions at times due to the flawless condition.
"I was very pleased to see some of my favorite Prestige artists well represented here including Hank Mobley and Jackie McLean both of whom never seen to get the credit they deserve. Of course, this set had best titles from Prestige’s three giants: Coltrane, Miles and Rollins.
"If you collect jazz, and don’t have the titles in this set, the Analogue Productions Prestige Mono series is a mandatory purchase to make. Congratulations to the Analogue Productions team." — Will Z.
That’s right: 50 Prestige titles will make up these two series. We’ve got 25 of the most collectible, rarest, most expensive jazz titles ever in our Prestige Mono Series. And then 25 of the most audiophile sounding Rudy Van Gelder recordings ever made with the Prestige Stereo Series. All cut at 33 1/3 RPM and released on Hybrid SACD.
And you know they’re all – all 50 – mastered from the original analog master tapes. In the case of the monos, that’s the original mono masters. Yup, mastering maestro Kevin Gray handles the job for both series. And, of course, the LPs will all be pressed at our own state-of-the-art, rave-reviews-coming-in-weekly pressing plant, Quality Record Pressings, and plated there by Gary Salstrom.
And there’s more: We’re kicking it all-out old-school here. Deep groove pressings, just like the originals where there is a deep groove that appears to be cut into the record label area of the disk, the result of the die that was used in the old presses in the ‘50s. Original tip-on jacket facsimiles with the original thick cardboard stock. The monos are pressed with a flat-edge, no groove-guard flat profile, just like the originals. The SACDs will be packaged in mini “old style” gatefold jackets. These jackets feature printed wraps mounted to chipboard shells, producing an authentic, “old school” look and feel. Some people call these “mini LP” jackets.
Make no mistake: The sound, the pressing quality, the look – everything will surpass the original Prestige LPs.
So, let’s jump in the time machine and head back to the 1950s and ‘60s, when jazz was king and the world was awash in the sounds of these masterpieces.Founded in 1949 by Bob Weinstock, Prestige Records would become one of the most renowned jazz labels of all time. Weinstock began the label after he’d opened a record store next door to New York City’s Metropole Jazz Club. The musicians who performed at Metropole began frequenting Weistock’s store, and he soon got the idea to start recording them. He first called the label New Jazz but changed the name to Prestige the following year.
The legendary roster of Prestige musicians rivals that of any jazz label before or since and includes Miles Davis, Gil Evans, Eric Dolphy, John Coltrane, Hank Mobley, Jackie McLean, Sonny Rollins, Eddie “Lockjaw” Davis and Tommy Flanagan. Weinstock is famous – or infamous – for refusing to pay his artists for their rehearsal time. He instead captured a more live, unplanned sort of groove, different than other jazz labels of the day. Certainly, history has appreciated hearing artists that would go on to become legends playing in a looser, off-the-cuff manner.
Rudy Van Gelder handled recording engineering duties for most of the Prestige run, another fact that has positioned Prestige so well in the history of jazz and collectible records. Actually, some of these original monos now go for well over $2,000.These Prestige titles will be available individually and as part of two separate series – The Prestige Stereo Series and The Prestige Mono Series. The first 250 LP copies will be numbered editions and will only be available to series subscribers. LP series subscribers can reserve their same serial number for each title in the series, and series subscribers will enjoy free shipping and be
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