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    JohnnyH

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    Sørstatsrock nå.

    Vis vedlegget 245952

    Point Blank - Second Season. 1977.






    Deilig musikk :)
    Hekkan Lars Erik har du fått tak i den!!!!:cool: Den kosta flere hundre US dalar for noen måneder siden.:)

    I følge min informasjon er dette deres andre.. og jeg har den fortsatt ikke.:mad:Må vell på "E Bukta"en tur.

    Synes denne er lettflytende og fin fra det albumet.
    Vis vedlegget 245982
    Nææmeeen JohnnyH da, har ikke alle møblerte hjem denne?;)På vinyl såklart.
    Uff, nå var jeg slem.:D
    mvh
    Hhhhhmmmmm, aner vi mobbing.:p:cool:

    Jeg har nå sett at det albumet sammen med deres første er tilgjengelig som en cd med begge på.

    Jeg har deres antatt 3 og 4 som et slikt album.
    Point Blank-American Excess-On A Roll-S.jpg




    Et nytt album som etter følger Fight On er på trappene.:)
     

    Lp only

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    Vedlegg

    E. Largo

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    Jeg setter på en oppmuntrende klassiker fra det glade åttitallet.

    Joy Division - Closer

    For eventuelle uopplyste så har jag sakset dette fra Allmusic.

    If Unknown Pleasures was Joy Division at their most obsessively, carefully focused, ten songs yet of a piece, Closer was the sprawl, the chaotic explosion that went every direction at once. Who knows what the next path would have been had Ian Curtis not chosen his end? But steer away from the rereading of his every lyric after that date; treat Closer as what everyone else thought it was at first -- simply the next album -- and Joy Division's power just seems to have grown. Martin Hannett was still producing, but seems to have taken as many chances as the band itself throughout -- differing mixes, differing atmospheres, new twists and turns define the entirety of Closer, songs suddenly returned in chopped-up, crumpled form, ending on hiss and random notes. Opener "Atrocity Exhibition" was arguably the most fractured thing the band had yet recorded, Bernard Sumner's teeth-grinding guitar and Stephen Morris' Can-on-speed drumming making for one heck of a strange start. Keyboards also took the fore more so than ever -- the drowned pianos underpinning Curtis' shadowy moan on "The Eternal," the squirrelly lead synth on the energetic but scared-out-of-its-wits "Isolation," and above all else "Decades," the album ender of album enders. A long slow crawl down and out, Curtis' portrait of lost youth inevitably applied to himself soon after, its sepulchral string-synths are practically a requiem. Songs like "Heart and Soul" and especially the jaw-dropping, wrenching "Twenty Four Hours," as perfect a demonstration of the tension/release or soft/loud approach as will ever be heard, simply intensify the experience. Joy Division were at the height of their powers on Closer, equaling and arguably bettering the astonishing Unknown Pleasures, that's how accomplished the four members were. Rock, however defined, rarely seems and sounds so important, so vital, and so impossible to resist or ignore as here.
     

    Vedlegg

    V

    vinyl-jønki

    Gjest
    Jeg setter på en oppmuntrende klassiker fra det glade åttitallet.

    Joy Division - Closer

    For eventuelle uopplyste så har jag sakset dette fra Allmusic.

    If Unknown Pleasures was Joy Division at their most obsessively, carefully focused, ten songs yet of a piece, Closer was the sprawl, the chaotic explosion that went every direction at once. Who knows what the next path would have been had Ian Curtis not chosen his end? But steer away from the rereading of his every lyric after that date; treat Closer as what everyone else thought it was at first -- simply the next album -- and Joy Division's power just seems to have grown. Martin Hannett was still producing, but seems to have taken as many chances as the band itself throughout -- differing mixes, differing atmospheres, new twists and turns define the entirety of Closer, songs suddenly returned in chopped-up, crumpled form, ending on hiss and random notes. Opener "Atrocity Exhibition" was arguably the most fractured thing the band had yet recorded, Bernard Sumner's teeth-grinding guitar and Stephen Morris' Can-on-speed drumming making for one heck of a strange start. Keyboards also took the fore more so than ever -- the drowned pianos underpinning Curtis' shadowy moan on "The Eternal," the squirrelly lead synth on the energetic but scared-out-of-its-wits "Isolation," and above all else "Decades," the album ender of album enders. A long slow crawl down and out, Curtis' portrait of lost youth inevitably applied to himself soon after, its sepulchral string-synths are practically a requiem. Songs like "Heart and Soul" and especially the jaw-dropping, wrenching "Twenty Four Hours," as perfect a demonstration of the tension/release or soft/loud approach as will ever be heard, simply intensify the experience. Joy Division were at the height of their powers on Closer, equaling and arguably bettering the astonishing Unknown Pleasures, that's how accomplished the four members were. Rock, however defined, rarely seems and sounds so important, so vital, and so impossible to resist or ignore as here.
    Flott cover.:)
    mvh
     
    V

    vinyl-jønki

    Gjest
    IMG_1652.jpg

    Kan ikke huske å ha kjøpt denne, kjøpt i
    Israel på perm fra Libanon, så kanskje ikke så rart.:rolleyes:;)
    Paco de Lucia, denne er kanskje mere kjent?
     

    Griffenfeldt

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    Jeg tror du må høre Antony & the Johnsons for å vite hva det er. Litt vanskelig å forklare sjangeren, men se på You tube.
    Har 3 av skivene på vinyl og har vært hektet fra første strofe.
     

    Bartesam

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    Hører på Herreavdelingens Platesjappe på NRK P1 via FM tuner :)
     

    lars_erik

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    lars_erik

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    Men i svarte. Skal alle plutselig være venner nå. Og jeg som har brukt hele dagen på å pønske ut ukvemsord :mad:

    Som straff spiller jeg denne, i en sjanger som ingen her liker.

    Fluke - Oto


    Hvite høyttalerkabler er best.
    Hvite og flate. Ikke sant, oct?
     

    oct

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    @ Solens sønn: Hvite & flate h.t. kabler er et must. Ellers vil ikke den akkustiske ventilen på trykkammerhøyttalerene virke.


    mvh
     

    lars_erik

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    @ Solens sønn: Hvite & flate h.t. kabler er et must. Ellers vil ikke den akkustiske ventilen på trykkammerhøyttalerene virke.


    mvh
    Trykkameret går i luften av og til, uansett. Men flate må de være. Noe annet skulle da virkelig tatt seg ut! :mad:
     

    lars_erik

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    Jeg spiller en del gammel musikk for tiden slik som denne...
    Her har du bandet som tidligere var kjent som Thin Lizzy.


    The Black Star Riders.

    Dette er etter Phil Lynot døde. Faktisk så sent som i 2012. Den siste besetningen til Thin Lizzy spiller her.

    Black Star Riders-All Hell Breaks Loose.jpg


    Black Star Riders - All Hell Breaks Loose. 2013.
     
    Sist redigert:

    oct

    Æresmedlem
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    Runde h.t. kabler gjør det ildt at anvende sedvanlige drossler & filterakkumuleringsværktøy i ressonanskasserne.


    mvh
     

    lars_erik

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    Little Feat - Waiting For Columbus.jpg


    Little Feat - Waiting For Columbus. Mobile Fidelity.

     
    Sist redigert:

    bluesbreaker

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    Jeg setter på en oppmuntrende klassiker fra det glade åttitallet.

    Joy Division - Closer

    For eventuelle uopplyste så har jag sakset dette fra Allmusic.

    If Unknown Pleasures was Joy Division at their most obsessively, carefully focused, ten songs yet of a piece, Closer was the sprawl, the chaotic explosion that went every direction at once. Who knows what the next path would have been had Ian Curtis not chosen his end? But steer away from the rereading of his every lyric after that date; treat Closer as what everyone else thought it was at first -- simply the next album -- and Joy Division's power just seems to have grown. Martin Hannett was still producing, but seems to have taken as many chances as the band itself throughout -- differing mixes, differing atmospheres, new twists and turns define the entirety of Closer, songs suddenly returned in chopped-up, crumpled form, ending on hiss and random notes. Opener "Atrocity Exhibition" was arguably the most fractured thing the band had yet recorded, Bernard Sumner's teeth-grinding guitar and Stephen Morris' Can-on-speed drumming making for one heck of a strange start. Keyboards also took the fore more so than ever -- the drowned pianos underpinning Curtis' shadowy moan on "The Eternal," the squirrelly lead synth on the energetic but scared-out-of-its-wits "Isolation," and above all else "Decades," the album ender of album enders. A long slow crawl down and out, Curtis' portrait of lost youth inevitably applied to himself soon after, its sepulchral string-synths are practically a requiem. Songs like "Heart and Soul" and especially the jaw-dropping, wrenching "Twenty Four Hours," as perfect a demonstration of the tension/release or soft/loud approach as will ever be heard, simply intensify the experience. Joy Division were at the height of their powers on Closer, equaling and arguably bettering the astonishing Unknown Pleasures, that's how accomplished the four members were. Rock, however defined, rarely seems and sounds so important, so vital, and so impossible to resist or ignore as here.
    Flott cover.:)
    mvh
    Ikke helt tilfeldig dette coveret.

    The album cover was designed by Martyn Atkins and Peter Saville, with photography by Bernard Pierre Wolff. The photograph on the cover is of the Appiani family tomb in the Cimitero Monumentale di Staglieno in Genoa, Italy. In a 2007 documentary on the band, designer Peter Saville commented that he, upon learning of singer Ian Curtis's suicide, expressed immediate concern over the album's design as it depicted a funeral theme, remarking "we've got a tomb on the cover of the album!"
    wikipedia



    Curtis hengte seg 23 år gammel. Etterlot seg kone og ei lita datter og et band som skiftet navn til New Order, -og ble popstjerner.
    En rar verden.

    Jeg synes for så vidt Joy Division er sterk og gripende musikk, men så tungt at jeg orker aldri å spille dem.
    Står i hylla,-begge 2.

    Anbefaler denne filmen for de som er interessert. Jeg har lånt den på mitt lokale bibliotek. Den gir en interessant skildring av livet til Curtis og omstendighetene rundt Joy Division. Et viktig band i musikkhistorien.
     

    bluesbreaker

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    Ikke helt samme versjon som på plata, men ligner.
    Styggpent dette.
    [video=youtube;8npK1q6LY9Q]http://www.youtube.com/watch?feature=player_detailpage&v=8npK1q6LY9Q[/video]
     
    V

    vinyl-jønki

    Gjest
    IMG_1655.jpg

    Roy og venner, en live plate.
    Egentlig ingen favoritt, får stå på som bakgrunnsmusikk.
    Slipper høre øresusen.:rolleyes:
     
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