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    “This is the chill-out as a state of grace, and it can go as deep as you like. Sublime,” wrote the Independent on Sunday ofthe Gustavsen’s trio’s Being There, released in 2007. Over the last decade Tord has explored other ensemble forms and formats, but on The Other Side - recorded at Oslo’s Rainbow Studio in January 2018 – he opens a new chapter in his piano trio story, with faithful drummer Jarle Vespestad, and excellent new bassist Sigurd Hole. Hole’s approach to his instrument, drawing on folk influences as well as modern jazz, is ideally suited to Gustavsen’s slowly-developing, deeply melodic pieces. The album, produced by Manfred Eicher, is issued on the eve of a major tour.

    mvh
     
    U

    utgatt25555

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    Arve Henriksen ”The height of the reeds"



    "The Height Of The Reeds" started as a commissioned work to the city of Hull, Great Britain's cultural capital 2017. Composed by Arve Henriksen, Eivind Aarset and Jan Bang, the work celebrates the longstanding seafaring relationship between Hull and Scandinavia. It was originally the musical companion to a sound walk that took place in April, May and June 2017. Those who took part could listen to the music on headphones while crossing the Humber Bridge. Initially intended for April only, the arrangement proved so popular it ended up with selling out three months, a total of 15.000 tickets. Whether it will be repeated in the future remains to be seen, but at least the evocative music can now be experienced on this release. Only minor adjustments have been done to justify the transition from sound walk to album. Other than Henriksen, Aarset and Bang, the work includes important contributions from Hull sound artist Jez Riley French, providing field recordings from the bridge itself: the river below, the noise of engines, the creaking of steel wires, wheels against asphalt and the song of the reeds in the wind. Opera North's choir and orchestra provides the necessary musical space for the soloists, and two actors and a child are reading from translated poems by Norwegian poet Nils Christian Moe-Repstad.

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    stingsilda

    stingsilda

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    JATP har vært oppe tidligere her i tråden.
    Så måtte rote litt i hylla her :)

    Fant denne, ok plate vil jeg nå si.

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    superhkm

    superhkm

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    «Very highly recommended to open-eared jazz fans of all tastes. ~ Brian Olewnick»

    variert både i uttrykk og instrumentering.
    hopper over spor 4 ( tidal ). ( horribel pianolyd )
     
    U

    utgatt25555

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    Denne hadde jeg nesten glemt, AH blåser igjen nydelig...herlig skive!

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    With Uma Elmo, his fifth album as a leader for ECM, Danish guitarist Jakob Bro presents a new trio featuring Norwegian trumpeter Arve Henriksen and Spanish drummer Jorge Rossy. Astonishingly, given the trio’s musical synergy, the first time these three musicians ever performed together was for the album’s sessions at the Swiss Radio studio in Lugano, with ECM founder Manfred Eicher producing. Uma Elmo reaffirms the observation about Bro’s work by London Jazz News that “there is no hurry to this music, but there is great depth.” Among the album’s highlights is opener “Reconstructing a Dream,” a darkly lyrical reverie. “To Stanko” is Bro’s hushed tribute to the late, great Polish trumpeter Tomasz Stanko, who featured the guitarist in his quintet for the ECM album Dark Eyes. Another homage to a late elder is “Music for Black Pigeons,” which was given its evocative title by saxophone sage Lee Konitz. Listeners will recognize Henriksen’s whispering, poetic sound from his 2008 ECM album Cartography, as well as his collaborations for the label with Trio Mediaeval and Tigran Hamasyan. Rossy is well known to jazz fans on both sides of the Atlantic, particularly for his decade-plus tenure in Brad Mehldau’s career-making first trio.

    mvh
     
    Minutten

    Minutten

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    musicus skrev:
    Denne hadde jeg nesten glemt, AH blåser igjen nydelig...herlig skive!

    Vis vedlegget 801226

    With Uma Elmo, his fifth album as a leader for ECM, Danish guitarist Jakob Bro presents a new trio featuring Norwegian trumpeter Arve Henriksen and Spanish drummer Jorge Rossy. Astonishingly, given the trio’s musical synergy, the first time these three musicians ever performed together was for the album’s sessions at the Swiss Radio studio in Lugano, with ECM founder Manfred Eicher producing. Uma Elmo reaffirms the observation about Bro’s work by London Jazz News that “there is no hurry to this music, but there is great depth.” Among the album’s highlights is opener “Reconstructing a Dream,” a darkly lyrical reverie. “To Stanko” is Bro’s hushed tribute to the late, great Polish trumpeter Tomasz Stanko, who featured the guitarist in his quintet for the ECM album Dark Eyes. Another homage to a late elder is “Music for Black Pigeons,” which was given its evocative title by saxophone sage Lee Konitz. Listeners will recognize Henriksen’s whispering, poetic sound from his 2008 ECM album Cartography, as well as his collaborations for the label with Trio Mediaeval and Tigran Hamasyan. Rossy is well known to jazz fans on both sides of the Atlantic, particularly for his decade-plus tenure in Brad Mehldau’s career-making first trio.

    mvh
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    Er eksemplar ligger i Danmark og venter på og bli sendt til meg, gir AH en ny sjanse. Gikk for cden ikke lpen denne gang.
     
    U

    utgatt25555

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    På tide å bla litt i samlingen igjen, ikke bare fylle på :cool:



    The legendary Keith Jarrett Trio, playing live at NDR Funkhaus, Hamburg in July 1972, is captured at the very apex of its creativity on an album released for the first time by ECM. From the first notes, with its radiant piano, it is clear that something special is happening here.

    The trio with Charlie Haden and Paul Motian - formed in 1966 - was Jarrett's first great band, his choice of players a masterstroke. With the bassist who had learned his craft in Ornette Coleman's band, and the drummer from Bill Evans's ground-breaking trio, Jarrett was able to explore the full scope of modern jazz, from poetic balladry to hard-swinging time-playing to ferocious and fiery free music.

    The improvisation heard in the Hamburg concert includes episodes with Keith on soprano sax and flute as well as piano, while Motian expands the role of percussion in the music, developing the supple, elastic, supremely unpredictable vocabulary that would subsequently become such a crucial part of both Jarrett's groups and Paul's own. The interaction between the three musicians is uncanny throughout, reaching a peak in an emotion-drenched performance of Charlie Haden's "Song for Che" (this is Jarrett's only recording of a piece that has become a new jazz classic).

    ECM set up the 1972 tour of the Jarrett Trio, including the German radio concert from which this album is drawn. Manfred Eicher returned to the original tapes, remixing the music for this edition together with Jan Erik Kongshaug in Oslo in July 2014.

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    Auditor

    Auditor

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    Musicus: Om du liker det Jorge Rossy gjorde der, ta en lytt på Jaume Vilaseca Trio..spesielt Jazznesis-trilogien er helt magisk😊 Hvem skulle tro Spania- av alle steder- kunne komme opp med noe sånt??

    Her idag: E. Marsslis: Duke In Blue..
     
    Trane

    Trane

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    Duke & Trane, 26 september 1962.
    En dag. Det var alt de trengte for å spille inn en klassiker den gangen. De to kom med hver sin rytmeseksjon som vekslet på å spille.

    Mitt ex er sylfersk reissue i Acoustic Sounds serien.
    (Forøvrig er prisen hos Big Dipper tilbake på hyggelige 429,-)

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