TTs hverdag, hver dag

[helarn]

Kennedy ble skutt i 1963

 

[motoren]

Kennedy ble skutt i 1963

stemmer det, jeg tenkte på broren som ble skutt i 68

mvh

 

[TT.]

22.nov 1963 gikk han ut av tiden, så det er riktig

 

[helarn]

Husker at det var om kvelden for jeg hadde lagt meg og faren min kom inn på rommet mitt og fortalte om mordet.

 

[TT.]

Husker at det var om kvelden for jeg hadde lagt meg og faren min kom inn på rommet mitt og fortalte om mordet.

Mht tidsforskjellen er det også korrekt

 

[TT.]

Hwr er Philipsen, men jeg skal komme tilbake med bedre bilder og jeg er ikke glemsk som andre surrehuer her inne!

 

[ragwo]

Ouch, it hurts!

 

[TT.]

Ouch, it hurts!

 

[TT.]

Nå er det toertid!

 

[TT.]

Klokka var altså 22:22:22 den 22/2-22. okke verre enn det.

 

[ToreP]

Den Philipsen er jeg spent på å se mer av imorgen! Det kribler.....!
Tore

 

[TT.]

Den Philipsen er jeg spent på å se mer av imorgen! Det kribler.....!
Tore

Ikke i toern håper jeg?!

 

[TT.]

Takker for i dag med en fin cover fra Al Jarreau - Your song

 

[ToreP]

I min alder gledes det over alt som kan tolkes som kribling i "toern"!
Tore(med kraftige kriblinger - må få kona til å ta en sjekk)

 

[Evo III]

Natta🥱

 

[ToreP]

Nei, Evo III, det var vel litt tidlig! Natten er ung......åh, jeg er pensjonist - beklager!
Tore

 

[HasseBasse]

16 rpm

mvh

Nå er jeg jo faen SÅ mye eldre enn dere, såååååhhhhh
NESTEN korrekt
Det rette svaret er 16 2/3 rpm eller 16,666 (det halve av 33.333).
Det var hovedsakelig Frankrike, (i hvert fall de, som holdt lengst) som i en periode holdt på med dette for å få Long, longplay på en plateside.
Men akkurat som med R2R, som hadde hastighetene 4,75, 9,5, 19 & 38cm/sek, fandt man ut av, at det var veldig lite "Fidelity"
på den langsomme hastigheten. at dette fort stoppet av seg selv.

Fra Wikipedia:


Evolutionary steps[edit]

Manufacturing vinyl records in 1959
Technology used in making recordings also developed and prospered. There were ten major evolutionary steps that improved LP production and quality during a period of approximately forty years.

1. Electrical transcriptions and 78s were first used as sources to master LP lacquer–aluminium cuts in 1948. This was before magnetic tape was commonly employed for mastering. Variable pitch groove spacing helped enable greater recorded dynamic levels. The heated stylus improved the cutting of high frequencies. Gold sputtering in vacuo became increasingly used to make high quality matrices from the cuts to stamp vinyl records.
2. Decca in Britain used high-quality wide range condenser microphones for the Full Frequency Range Recording (FFRR) system c. 1949. Wax mastering was employed to produce Decca/London LPs. This created considerable interest in the United States, and served to raise the customer's overall expectations of quality in microgroove records.
3. Tape recording with condenser microphones became a long used standard operating procedure in mastering lacquer–aluminium cuts. This improved the overall pickup of high quality sound and enabled tape editing. Over the years there were variations in the kinds of tape recorders used, such as the width and number of tracks employed, including 35 mm magnetic film technology.
4. Production of stereo tape masters and the stereo LP in 1958 brought significant improvements in recording technology.
5. Limitations in the disc cutting part of the process later generated the idea that half-speed mastering would improve quality (in which the source tape is played at half-speed and the lacquer–aluminium disc cut at 16+2⁄3 rpm rather than 33+1⁄3 rpm).
6. Some 12 inch LPs were cut at 45 rpm claiming better quality sound, but this practice was short-lived.
7. Efforts were made in the 1970s to record as many as four audio channels on an LP (quadraphonic) by means of matrix and modulated carrier methods. This development was neither a widespread success nor long lasting.
8. Efforts were also made to simplify the chain of equipment in the recording process and return to live recording directly to the disc master.
9. Noise reduction systems were also used in tape mastering of some LPs, as well as in the LP itself.
10. As video recorder technology improved it became possible to modify them and use analogue to digital converters (codecs) for digital sound recording. This brought greater dynamic range to tape mastering, combined with low noise and distortion, and freedom from drop outs as well as pre- and post-echo. The digital recording was played back providing a high quality analogue signal to master the lacquer–aluminium cut.

https://www.capsnews.org/apn2010-3.htm

 

[motoren]

Du har selvfølgelig rett i det bare meg som tullet litt med tallene

mvh

 

[ToreP]

Artig den oversikten, HasseBasse! For en utvikling på såpass kort tid!
Tore

 

[motoren]

Nå er jeg jo faen SÅ mye eldre enn dere, såååååhhhhh
NESTEN korrekt
Det rette svaret er 16 2/3 rpm eller 16,666 (det halve av 33.333).
Det var hovedsakelig Frankrike, (i hvert fall de, som holdt lengst) som i en periode holdt på med dette for å få Long, longplay på en plateside.
Men akkurat som med R2R, som hadde hastighetene 4,75, 9,5, 19 & 38cm/sek, fandt man ut av, at det var veldig lite "Fidelity"
på den langsomme hastigheten. at dette fort stoppet av seg selv.

Fra Wikipedia:


Evolutionary steps[edit]

Manufacturing vinyl records in 1959
Technology used in making recordings also developed and prospered. There were ten major evolutionary steps that improved LP production and quality during a period of approximately forty years.

1. Electrical transcriptions and 78s were first used as sources to master LP lacquer–aluminium cuts in 1948. This was before magnetic tape was commonly employed for mastering. Variable pitch groove spacing helped enable greater recorded dynamic levels. The heated stylus improved the cutting of high frequencies. Gold sputtering in vacuo became increasingly used to make high quality matrices from the cuts to stamp vinyl records.
2. Decca in Britain used high-quality wide range condenser microphones for the Full Frequency Range Recording (FFRR) system c. 1949. Wax mastering was employed to produce Decca/London LPs. This created considerable interest in the United States, and served to raise the customer's overall expectations of quality in microgroove records.
3. Tape recording with condenser microphones became a long used standard operating procedure in mastering lacquer–aluminium cuts. This improved the overall pickup of high quality sound and enabled tape editing. Over the years there were variations in the kinds of tape recorders used, such as the width and number of tracks employed, including 35 mm magnetic film technology.
4. Production of stereo tape masters and the stereo LP in 1958 brought significant improvements in recording technology.
5. Limitations in the disc cutting part of the process later generated the idea that half-speed mastering would improve quality (in which the source tape is played at half-speed and the lacquer–aluminium disc cut at 16+2⁄3 rpm rather than 33+1⁄3 rpm).
6. Some 12 inch LPs were cut at 45 rpm claiming better quality sound, but this practice was short-lived.
7. Efforts were made in the 1970s to record as many as four audio channels on an LP (quadraphonic) by means of matrix and modulated carrier methods. This development was neither a widespread success nor long lasting.
8. Efforts were also made to simplify the chain of equipment in the recording process and return to live recording directly to the disc master.
9. Noise reduction systems were also used in tape mastering of some LPs, as well as in the LP itself.
10. As video recorder technology improved it became possible to modify them and use analogue to digital converters (codecs) for digital sound recording. This brought greater dynamic range to tape mastering, combined with low noise and distortion, and freedom from drop outs as well as pre- and post-echo. The digital recording was played back providing a high quality analogue signal to master the lacquer–aluminium cut.

https://www.capsnews.org/apn2010-3.htm

Vis vedlegget 794107

Du er en klok herre mann Hassebasse

mvh

 

[HasseBasse]

Kødder du?? Er dummere enn plywood

 

[parafinoksen]

Nå er jeg jo faen SÅ mye eldre enn dere, såååååhhhhh
NESTEN korrekt
Det rette svaret er 16 2/3 rpm eller 16,666 (det halve av 33.333).
Det var hovedsakelig Frankrike, (i hvert fall de, som holdt lengst) som i en periode holdt på med dette for å få Long, longplay på en plateside.
Men akkurat som med R2R, som hadde hastighetene 4,75, 9,5, 19 & 38cm/sek, fandt man ut av, at det var veldig lite "Fidelity"
på den langsomme hastigheten. at dette fort stoppet av seg selv.

Fra Wikipedia:


Evolutionary steps[edit]

Manufacturing vinyl records in 1959
Technology used in making recordings also developed and prospered. There were ten major evolutionary steps that improved LP production and quality during a period of approximately forty years.

1. Electrical transcriptions and 78s were first used as sources to master LP lacquer–aluminium cuts in 1948. This was before magnetic tape was commonly employed for mastering. Variable pitch groove spacing helped enable greater recorded dynamic levels. The heated stylus improved the cutting of high frequencies. Gold sputtering in vacuo became increasingly used to make high quality matrices from the cuts to stamp vinyl records.
2. Decca in Britain used high-quality wide range condenser microphones for the Full Frequency Range Recording (FFRR) system c. 1949. Wax mastering was employed to produce Decca/London LPs. This created considerable interest in the United States, and served to raise the customer's overall expectations of quality in microgroove records.
3. Tape recording with condenser microphones became a long used standard operating procedure in mastering lacquer–aluminium cuts. This improved the overall pickup of high quality sound and enabled tape editing. Over the years there were variations in the kinds of tape recorders used, such as the width and number of tracks employed, including 35 mm magnetic film technology.
4. Production of stereo tape masters and the stereo LP in 1958 brought significant improvements in recording technology.
5. Limitations in the disc cutting part of the process later generated the idea that half-speed mastering would improve quality (in which the source tape is played at half-speed and the lacquer–aluminium disc cut at 16+2⁄3 rpm rather than 33+1⁄3 rpm).
6. Some 12 inch LPs were cut at 45 rpm claiming better quality sound, but this practice was short-lived.
7. Efforts were made in the 1970s to record as many as four audio channels on an LP (quadraphonic) by means of matrix and modulated carrier methods. This development was neither a widespread success nor long lasting.
8. Efforts were also made to simplify the chain of equipment in the recording process and return to live recording directly to the disc master.
9. Noise reduction systems were also used in tape mastering of some LPs, as well as in the LP itself.
10. As video recorder technology improved it became possible to modify them and use analogue to digital converters (codecs) for digital sound recording. This brought greater dynamic range to tape mastering, combined with low noise and distortion, and freedom from drop outs as well as pre- and post-echo. The digital recording was played back providing a high quality analogue signal to master the lacquer–aluminium cut.

https://www.capsnews.org/apn2010-3.htm

Vis vedlegget 794107

Det var litt av et eksempel på 16 RPM-plate du hadde valgt!

 

[motoren]

Kødder du?? Er dummere plywood

Nei kødder ikke

mvh

 

[HasseBasse]

Ha ha...
Ja, første bilde jeg fandt, men beskriver mye vel, hva dette var bedst til ....... tale mere enn musikk

 

[parafinoksen]

Ha ha...
Ja, første bilde jeg fandt, men beskriver mye vel, hva dette var bedst til ....... tale mere enn musikk

Swaggart selv fikk jo kraftig skudd for baugen nettopp for, la oss kalle det, fravær av fidelity, eller infidelity ...

 

[HasseBasse]

Swaggart selv fikk jo kraftig skudd for baugen nettopp for, la oss kalle det, fravær av fidelity, eller infidelity ...

"Fravær av fidelity"....... dagens

 

[TT.]

Du er en klok herre mann Hassebasse

mvh

HAN er flink på GOOGLE den MANDEN
BTW: den platen på bildet kan jeg ikke spille, da jeg har meldt meg ut!

 

[HasseBasse]

HAN er flink på GOOGLE den MANDEN
BTW: den platen på bildet kan jeg ikke spille, da jeg har meldt meg ut!

Pas nu på, at den "Googleorakel" skrivemåten IKKE ta´r overhånd

 

[TT.]

Vel, god formiddag alle!

starter dagen med tur og deretter snømåking.Har hørt at det er lurt å få opp pulsen litt før man gyver løs på snøen. Ikke mye som kom, men nok til at det må tas. Her er presidenten av Hurrahølet i gang, med capsen bak fram. Sjekk spesielt den elegante beinføringen og ditto swung over det hele!

Mickey hjalp også til etter beste evne

kaffe og musikk og en rolig dag, står nå på programmet. Ha en aktiv dag!

 

[TT.]

En elefant glemmer aldri sies det, ei heller jeg. Derfor kan jeg med stolthet fremvise bilder av en fordums stolthet og sikkert en konkurrent til Garrard dengang da... Philips GA2230

og beviset for at den spiller også 16 2/3 rpm

 

[parafinoksen]

p Elefanter glemmer aldri.
q TT glemmer aldri.
pq TT er en elefant.

Mvh Erasmus Montanus

 

[TT.]

p Elefanter glemmer aldri.
q TT glemmer aldri.
pq TT er en elefant.

Mvh Erasmus Montanus

Du glemte; TT veier som en elefant

 

[TT.]

Mogens og Ib har fått i seg sin morgenbajer og har klart å sende avgårde det jeg bestilte, så da er det håp i hengende snørr. Ser fram til nye pakker

 

[ToreP]

Den Philipsen var utrolig fin, og sikkert sjelden,TT. Den må du ta godt vare på!
Tore

 

[TT.]

Den Philipsen var utrolig fin, og sikkert sjelden,TT. Den må du ta godt vare på!
Tore

Ja da, den skal ingen steder. Ser den trenger en ny reim, da den ligger som smeltet lakris under tallerken. Jeg har noen reimer, så jeg kan få den opp og gå allerede. Jeg vet ikke om denne kan kalles for en mellomhjulsspiller, men noen gummihjul er det. Har
Forøvrig notert både nr på spiller og funnet ut hva pu og stift heter og det er fortsatt mulig å oppdrive original stift.

 

[ragwo]

Pen spiller! Litt av @TT.s restaureringsmagi så vil den virkelig skinne! Alle burde strengt tatt ha en spiller til 16 rpm plater.

 

[TT.]

Fanken heller. Å bestille noe og så blir det sendt med med PostHvor er en mare, hver gang! Ingen vet noen ting og det har ikke vært bevegelse siden 18/2. Hvorfor skjønner ikke snart firmaer ar de ikke skal bruke dette drittselskapet som ikke aner noen ting og bruker innleide speditører i hvite varetaxier som er mer opptatte av å smugle øl, sprit og sigaretter fra tidligere østblokkland, enn å sette sin ære i å levere et godt produkt for oppdragsgiver.

 

[TT.]

Går det troll i ord her?
Nå poppet det opp melding om at varen er ankommet Langhus kl 15:59 og gjøres klar for videre transport!
Tror jeg må ta meg en øl for å dempe sjokket!

 

[TT.]

For de som vil vite litt mer om Philips AG2230W, så kan man lese litt her. Det viser seg at det er både en strikk og mellomhjulsspiller! Det viser seg at spilleren er fra rundt 1965.

Presenting the Philips AG2230W- Vinyl Engine

www.vinylengine.com

 

[ToreP]

Flott lenke, TT. Artig med bilder og tekst - da skjønner man lettere hva det snakkes om!
Du sitter på "en perle" av en spiller!
Tore(som har et par-tre gamle platespillere fra Philips, hvor 212 er "øyenstenen")