Introducing
C-MARC™. A new generation of high-performance wire and cable, well equipped to deal with todays over polluted electromagnetic environment.
C-MARC™ is a new type of Litz wire.
C-MARC’s noise reduction is based on the bucking coil method using two counter-polarised coils. Every strand's clockwise turn aligns with a corresponding counter clockwise turn of precisely mirrored diameter and step. The two, resulting counter-polarised coils are mutually superposed. A second-scale fractal replication of the already bucking coils is then repeated. Through electrical cancellation of the induced noise,
C-MARC™ provides an enormous signal-to-noise ratio in today's demanding audio environment.
Entropic Process: A LessLoss technology most profound
Pictured below is the new insignia of the ultimate LessLoss achievement. When you see this symbol, you can rest assured that sonics don't get any better than this!
We have been investigating the mysterious burn-in phenomena for the past 20 years, following it very closely and learning ever more about it. Finally, we have figured out a way to actually use it in the design of an actual product. This has been on our creative minds ever since day one when we first experienced burn-in decades ago. But the secret within has remained elusive to us—until now!
This does not mean we have abolished all initial changes in sound quality. It only means we have developed the means and methods to accelerate it—pre-prime it, so to speak—to the point where, in your first two weeks of listening, you might go through some 200 years of regular burn-in. The burn-in process has not been disposed of by us but rather put into overdrive in order to serve listeners even better! This is the genius of our new Entropic Process.
To fully comprehend the concept behind it, prerequisites are in order.
If you have never experienced any strange burn-in effects…you will not yet know that of which we speak. The strange burn-in effect remains, undoubtedly, the most mysterious of all aspects involved in high-end audio. Appreciated, experienced, and accepted by thousands, yet understood by none, it remains an uncracked code of mystery which has represented a strange bottleneck to designers until now. Sometimes it is a cause of ridicule, but sooner or later everyone experiences it…and suddenly that voice of ridicule is noticeably quiet.
What is burn-in?
Burn-in is a strange phenomenon in which newly made gear or cables go through a series of inexplicable initial transitional phases in terms of performance. One day the sound may be brittle and coarse; another day the sound may be rubbery and elastic. One may experience phases of bass-heavy submersion as if one is under water, then periods where one feels the bass is too weak or not in balance with the mids and treble. Eventually, these two extremes converge into a balanced, stable performance, a mature and pleasant tonal balance.
This process is dependent on two things.
First, much depends on total system transparency. If the system has deep flaws, such as being located in a room with ceramic tiles and many exposed glass windows, of course an acoustic echo chamber like that will mask such effects greatly. However, if the system is set up well in an acoustically well-organized space, you'll hear the flaws with ease.
Secondly, it depends on how sonically neutral the fresh product actually is. If it is severely skewed in some arbitrary tonal direction, it will be more difficult to sense just what is going on in terms of this burn-in process. An example of this is found in multi-strand copper conductors with silver plating. But if a product is a sonic giant in terms of its ability to present exactly what is taking place in the recording, without editorialising, one will hear huge burn-in swings initially.
It is most likely that LessLoss products present exactly the same changes that any new wire goes through. The only difference is that C-MARC has such a fantastically low noise floor that one can more readily perceive and experience these large burn-in swings because so much more detail is exposed to the listener than usual. It goes without saying that you simply cannot have it both ways: you cannot expect a totally transparent cable to reveal real data on a recording that won't simultaneously also reveal a much deeper underlying physical aspect of burn-in as it matures and settles in performance. The performance is the ability to show more and more minute changes in signal. This also must mean, at the same time, that it will show more and more minute changes in whatever actually constitutes burn-in (molecular structure re-alignment or something…? sorry, we haven’t solved everything!).
And a mystery it is and remains.
But we have made a HUGE step in accelerating it.
If, before, you experienced the infamous ‘roller-coaster ride’ of settling and opening up, now it will be a supersonic rocket launch with G-forces you had better be prepared for. After the rattling of instruments, mind, muscle and bone, the view, once in orbit, of that rarefied silent cosmos, is really worth the patience. Burn-in time is not necessarily longer or shorter…it is just more intense.
Both the
C-MARC™ power cable and
C-MARC™ Entropic Process power cables are superb performers. It takes us 18 hours to make the
C-MARC™ power cable and no less than 30 hours to make the Entropic Process version.
Beskrivelsen af lydbilledet kan jeg sige mig enig med! Jeg har ikke noget med LessLoss at gøre end jeg har handlet hos dem.
Glad for at du også har lyttet til LessLoss og hørt hvad det kan. 
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jeg VET hva C-mark nettkabler har bidratt med i flere oppsett.......
