Har drevet å A/B testa mye med oto se vs mc 275. Det forbauser meg hvor mye mer oppløst, og hvor "svart" bakrunnen er med oto kontra mc 275. Man må liksom opp så mye på volume med 275en før ting kommer frem. Det er klart at mc 275 er kraftigere og er bedre i bassområdet på høye volumer, men det får bare vare. Klarer ikke å gå tilbake, er AN frelst
Audio Note må virkelig vite hva dem driver med, det er hands down en helt fantastisk lyd, til og med på lavt volum, og det kan komme godt med
![Wink ;) ;)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Surfet litt på hjemmesiden til Audio Note og limer inn ett utdrag som beviser at det med at det låter så bra også på lavt volume slettes ikke er tilfeldig :
"In stark contrast, Audio Note is the only manufacturer unconventional enough to have extensively studied the behaviour of audio equipment at very low levels, and this research has confirmed most of the theories we have formulated over the years. All of which were based on the musical experience rather than blindly looking at the test equipment for the answers, we, at least understand that the test equipment is easily fooled by technical trickery such as feedback or over sampling.
We always recommend that you audition any hi-fi system at low volume at least as much as at high volume to see how well it behaves at both ends of the loudness spectrum. Systems that do not retain good bandwidth and dynamic contrast at low volume will always suffer from poor resolution regardless of volume, how often have you found yourself turning the volume up to be able to get a better sense of dynamics?
Poor resolution cannot be compensated for by higher volume, because regardless of volume setting the low level information is not resolved and is always going to be lost from the signal, this is a serious short coming, not just with classical music but with almost all music regardless of genre."